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Walt Whitman And Si Mohand Ou M’hand

dc.contributor.authorBoutouchent Sidi Said, Fadhila
dc.date.accessioned2024-05-27T20:26:42Z
dc.date.available2024-05-27T20:26:42Z
dc.date.issued2020-06-30
dc.description.abstractThe comparative study of Walt Whitman (1819-1902) and Si Mohand Ou M’hand (1845-1902) is significant for several reasons. Firstly, Whitman applies a new form of poetry in American literature that is free verse poetry without affixed beat or regular rhyme scheme. It is as if Whitman speaks to the reader. Si Mohand’s poetry is known as ‘Asfrou’, an oral poetry based on personal inspiration. Both are the ones to whom we listen to. Moreover, the quest for liberty by both poets can be seen as a universal analogy where the right to be ‘free’ is a natural human attitude. So, the Kabyle bard, as Si Ammar Ben Said Boulifa calls him: “Si Mohand Ou M’hand, le barde populaire de la Grande Kabylie” (1990:45) can only be compared to the American bard, Walt Whitman .ar_AR
dc.identifier.issn1112-7279
dc.identifier.issnE 2676-1556
dc.identifier.urihttp://ddeposit.univ-alger2.dz/handle/20.500.12387/6395
dc.language.isoenar_AR
dc.publisherFaculté des Langues Etrangères. Université d'Alger 2 Abu al-Qasim Saadallahar_AR
dc.relation.ispartofseriesLettres et Langues. Al Adab Wa Llughat;Vol. 15, Nr. 1
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 United States*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/us/*
dc.subjectFree verse poetryar_AR
dc.subjectOral poetryar_AR
dc.subjectKabyle bardar_AR
dc.subjectAsfrouar_AR
dc.subjectWalt Whitmanar_AR
dc.subjectSi Mohand Ou M’handar_AR
dc.titleWalt Whitman And Si Mohand Ou M’handar_AR
dc.title.alternativeFree-folk Voicesar_AR
dc.typeArticlear_AR

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