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Self Revelation Versus Artistic Representation In Katherine Mansfield's Poems

dc.contributor.authorBouregbi, Salah
dc.date.accessioned2024-06-06T17:13:10Z
dc.date.available2024-06-06T17:13:10Z
dc.date.issued2013-12-01
dc.description.abstractKatherine Mansfield is usually known as a short story writer and she is considered, along with Guy De Maupassant, Anton Chekhov and Edgar Allan Poe, as the major contributors of short prose writing.But, paradoxically, Mansfield is rarely known as a versifier and a poetess, though her short stories hold some poetical insights, as in “At the Bay,” and “Prelude.” This paper, thus, is a modest contribution in Katherine Mansfield's heritage of writing poetry. My study will focus on her lonely book, Poems, and splinters of verses scattered here and there in her journals, letters and diaries. My research tries to get deep within her poetic production in order to find out what she uses as techniques, chooses as themes and adopts as vision.ar_AR
dc.identifier.issn1112-7279
dc.identifier.issnE 2676-1556
dc.identifier.urihttp://ddeposit.univ-alger2.dz/handle/20.500.12387/6727
dc.language.isoenar_AR
dc.publisherFaculté des Langues Etrangères. Université d'Alger 2 Abou El Kacem Saadallahar_AR
dc.relation.ispartofseriesLettres et Langues. Al Adab Wa Llughat;Vol. 8, Nr. 2
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 United States*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/us/*
dc.subjectKatherine Mansfield : Poemsar_AR
dc.subjectArtistic Representationar_AR
dc.titleSelf Revelation Versus Artistic Representation In Katherine Mansfield's Poemsar_AR
dc.typeArticlear_AR

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