علامات القارئ الضمنية في النص المسرحي "الملك هو الملك أنموذجا"

Abstract

The theatrical art is one of the most complex studies by its double language, since the writer is permanently linked with his reader through the influence exercised by the latter, which will become an integral part of the act of writing. While the theatrical text is in constant motion by its need for the mechanism of interpretation and the tools used to conclude its progressive meanings. The play "the king is the king" can be projected on our 2019- مجلة مشكلات الحضارة-المجلد 8-العدد 1 current experience. From this appears the necessity that the text must contain the communicative act (writer-reader), in the context for precise objectives.