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dc.contributor.author BOUSSOUALIM-Hamda, Malika
dc.contributor.author Deramchia, Yamina
dc.date.accessioned 2022-03-10T09:04:48Z
dc.date.available 2022-03-10T09:04:48Z
dc.date.issued 2017
dc.identifier.uri http://193.194.83.152:8080/xmlui/handle/20.500.12387/1624
dc.description.abstract "Women Rewriting History and Writing a Literary Tradition" is a work that shows interest in the novel written in western languages by postcolonial Africana female writers, who write to re-examine the history of Africana women, which was either forgotten or distorted in existing accounts about it. In fact, this doctoral project is a critical evaluation of three novels, two continental: The Joys of Motherhood by the Nigerian Buchi Emecheta and La femme sans sépulture by the Algerian Assia Djebar and a novel from the diaspora,Possessing the Secret of Joy by the African American Alice Walker. The three novels are selected as samples for a case study aimed to explore the motivations, aspirations and challenges of this novel. This research project is a comparative contrastive study woven into the textual analysis of these three representative works, and focused on demonstrating the intertextual relations between them. fr_FR
dc.language.iso en fr_FR
dc.publisher University of Algiers2 Abu EL Kacem Saad Allahجامعة أبو القاسم سعد الله الجزائر fr_FR
dc.subject Women rewriting- History fr_FR
dc.subject Africa women rewriting -History fr_FR
dc.subject A Literature tradition fr_FR
dc.subject walker, Alice fr_FR
dc.subject Djebar, Assia fr_FR
dc.title Women Rewriting History and Writing a Literary Tradition fr_FR
dc.title.alternative An Intertextual Reading of Buchi Emecheta’s The Joys of Motherhood (1979), Alice Walker’s Possessing the Secret of Joy(1996), and Assia Djebar’s La femme sans sépulture(2002) fr_FR
dc.type Thesis fr_FR


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