Minimalist Style and Ambivalent Spirituality in Cormac McCarthy’s Later Texts: An Implied Reader’s Perspective

Houamdi, Djamel; Ait Ammour, Houria (Directeur de thèse)

dc.contributor.author	Houamdi, Djamel
dc.contributor.author	Ait Ammour, Houria (Directeur de thèse)
dc.date.accessioned	2022-05-12T09:56:38Z
dc.date.available	2022-05-12T09:56:38Z
dc.date.issued	2020
dc.identifier.uri	http://localhost:8080/xmlui/handle/20.500.12387/2001
dc.description	Bibliographie : p.242-260	ar_AR
dc.description.abstract	The present reader-oriented study deals with the later texts of Cormac McCarthy. In particular, No Country for Old Men, The Road and The Sunset Limited share a remarkable leaning towards minimalist style and ambivalent spirituality which, in turn,	ar_AR
dc.language.iso	other	ar_AR
dc.publisher	University of Algiers 2 Abou El Kacem Saadallah	ar_AR
dc.subject	Minimalist Style	ar_AR
dc.subject	Existential Dramatic Novel	ar_AR
dc.subject	Minimalism	ar_AR
dc.title	Minimalist Style and Ambivalent Spirituality in Cormac McCarthy’s Later Texts: An Implied Reader’s Perspective	ar_AR
dc.type	Thesis	ar_AR