الخلاصة:
his dissertation is concerned with the Feminist enunciation in Assia Djebar’s
Fantasia: An Algerian Cavalcade (1985) and Tsitsi Dangarembga’s Nervous
Conditions (1988) produced in the postcolonial era. It is an inquiry into the two
writers’ common concern for the construction of a new vision of female subjectivity
that challenges women’s stereotypical representation in male-written patriarchal and
Western colonial narratives. Following from this, this research sheds light on the two
African women writers’ introduction of a fresh and dynamic vision of female identity
that goes at odds with the passive and submissive female characters of male-written
accounts