المستودع الرقمي المؤسساتي للإنتاج العلمي والأكاديمي لجامعة الجزائر 2

From Remembrance in Fiction to Recreation in Film Representations A Transmedial Approach to the ‘Hidden Adult’ in Children’s Fantasy Narratives

عرض سجل المادة البسيط

dc.contributor.author BELAZOUZ, Asma
dc.contributor.author GUENDOUZI, Amar (Directeur de thèse)
dc.date.accessioned 2022-06-01T12:57:33Z
dc.date.available 2022-06-01T12:57:33Z
dc.date.issued 2020
dc.identifier.uri http://ddeposit.univ-alger2.dz:8080/xmlui/handle/20.500.12387/2195
dc.description.abstract This thesis identifies the ‘hidden adult’ as a dominant speaking subject in children’s fantasy narratives. It argues that the adult’s voice present in the shadow text constructs in a double layered narrative inconsistent images of childhood with moralising associations. The narrative duality in children’s literature in particular causes textual ambivalence that can, however, be subverted to liberate its language. The remaining surface text voices the child’s polyphonic self in its I-other dimension to express an inherited cultural memory of the hidden adult. With its dialogical implications and structural otherness, the inherited memory can travel in two axes: vertically for a transtextual return to medievalism and horizontally for a transmedial revision of the hidden adult while maintaining a textual identity for each narrative version ar_AR
dc.language.iso en ar_AR
dc.subject Fiction ar_AR
dc.subject Film Representations ar_AR
dc.subject Fantasy Narratives ar_AR
dc.subject Children’s Fantasy Fiction ar_AR
dc.title From Remembrance in Fiction to Recreation in Film Representations A Transmedial Approach to the ‘Hidden Adult’ in Children’s Fantasy Narratives ar_AR
dc.title.alternative The Case of J. R. R. Tolkien’s The Hobbit (1937) & P. Jackson’s The Hobbit: An Unexpected Journey (2012), D. W. Jones’ Howl’s Moving Castle (1986) & H. Miyazaki’s Howl’s Moving Castle (2004) and P. Ness’ A Monster Calls (2011) & J. A Bayona’s A Monster Calls (2016) ar_AR
dc.type Thesis ar_AR


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