علامات القارئ الضمنية في النص المسرحي "الملك هو الملك أنموذجا"

بوزيد, قاسم

dc.contributor.author	بوزيد, قاسم
dc.date.accessioned	2022-11-11T12:39:41Z
dc.date.available	2022-11-11T12:39:41Z
dc.date.issued	2019-06-30
dc.identifier.issn	ISSN:2352-9598
dc.identifier.uri	http://ddeposit.univ-alger2.dz:8080/xmlui/handle/20.500.12387/2979
dc.description.abstract	The theatrical art is one of the most complex studies by its double language, since the writer is permanently linked with his reader through the influence exercised by the latter, which will become an integral part of the act of writing. While the theatrical text is in constant motion by its need for the mechanism of interpretation and the tools used to conclude its progressive meanings. The play "the king is the king" can be projected on our 2019- مجلة مشكلات الحضارة-المجلد 8-العدد 1 current experience. From this appears the necessity that the text must contain the communicative act (writer-reader), in the context for precise objectives.	ar_AR
dc.language.iso	Ar	ar_AR
dc.publisher	مخبر مشكلات الحضارة- جامعة الجزائر 2	ar_AR
dc.relation.ispartofseries	المجلد 7;العدد1
dc.rights	Attribution-NonCommercial-NoDerivs 3.0 United States	*
dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/3.0/us/	*
dc.subject	Key words: Theatrical discourse, The reader's signs, deixis, resption theory.	ar_AR
dc.title	علامات القارئ الضمنية في النص المسرحي "الملك هو الملك أنموذجا"	ar_AR
dc.title.alternative	Implicit reader marks in the theatrical text "The King is the King as a Model" En savoir plus sur implicit	ar_AR
dc.type	Article	ar_AR