عرض سجل المادة البسيط

dc.contributor.author آمال, علاوشيش
dc.date.accessioned 2023-01-21T07:33:32Z
dc.date.available 2023-01-21T07:33:32Z
dc.date.issued 2014-06-30
dc.identifier.issn ISSN:2352-9598
dc.identifier.uri http://ddeposit.univ-alger2.dz:8080/xmlui/handle/20.500.12387/4590
dc.description.abstract This article deals with the position of the Greek philosopher Plato on art and poets and their position in art His ideal city project, in line with his philosophical and cognitive principles, as he refused to emulate From a philosophical point of view, and on the basis of this rejection, he excluded poets from his city, just as he rejected it. From an educational point of view, considering that the poets’ imitation of reality is an imitation of any copy The imitative work is an imitation of the apparent form and not of the idea or the “essence” that Poets are unable to access it. ar_AR
dc.language.iso Ar ar_AR
dc.publisher مخبر مشكلات الحضارة- جامعة الجزائر 2 ar_AR
dc.relation.ispartofseries المجلد 2;العدد 1
dc.subject art, poets, rejection, plato, imitation, education ar_AR
dc.title الفن والمحاكاة في جمهورية افلاطون ar_AR
dc.title.alternative Art and Simulation in Plato's Republic ar_AR
dc.type Article ar_AR


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