الفن والمحاكاة في جمهورية افلاطون

آمال, علاوشيش

dc.contributor.author	آمال, علاوشيش
dc.date.accessioned	2023-01-21T07:33:32Z
dc.date.available	2023-01-21T07:33:32Z
dc.date.issued	2014-06-30
dc.identifier.issn	ISSN:2352-9598
dc.identifier.uri	http://ddeposit.univ-alger2.dz:8080/xmlui/handle/20.500.12387/4590
dc.description.abstract	This article deals with the position of the Greek philosopher Plato on art and poets and their position in art His ideal city project, in line with his philosophical and cognitive principles, as he refused to emulate From a philosophical point of view, and on the basis of this rejection, he excluded poets from his city, just as he rejected it. From an educational point of view, considering that the poets’ imitation of reality is an imitation of any copy The imitative work is an imitation of the apparent form and not of the idea or the “essence” that Poets are unable to access it.	ar_AR
dc.language.iso	Ar	ar_AR
dc.publisher	مخبر مشكلات الحضارة- جامعة الجزائر 2	ar_AR
dc.relation.ispartofseries	المجلد 2;العدد 1
dc.subject	art, poets, rejection, plato, imitation, education	ar_AR
dc.title	الفن والمحاكاة في جمهورية افلاطون	ar_AR
dc.title.alternative	Art and Simulation in Plato's Republic	ar_AR
dc.type	Article	ar_AR