Résumé:
This study seeks to investigate the manifestations of irony and its
manifestations in the title of the contemporary Arab poem, by researching the
mechanisms of its operation and monitoring its most important functions, so we
have resorted - in order to be comprehensive and covered - to choose applied
models, each of which indicates - as will be seen - the dominance of one of the
tools of irony and what may be It results in the intent to determine the effect of
these mechanisms in directing the production of the title connotation.