dc.contributor.author | Arab, Leila | |
dc.date.accessioned | 2024-05-27T10:42:09Z | |
dc.date.available | 2024-05-27T10:42:09Z | |
dc.date.issued | 2023-12-31 | |
dc.identifier.issn | 2602-5558 | |
dc.identifier.issn | EISSN : 2773-4390 | |
dc.identifier.uri | http://ddeposit.univ-alger2.dz:8080/xmlui/handle/20.500.12387/6374 | |
dc.description.abstract | This article aims to understand how Mimouni's writing represents trauma. These has always aroused the interest of the most sophisticated critics. We want to know precisely what Rachid Mimouni's novel La Malediction, published in 1993, emerged in a pathogenic context has to teach us about double trauma? Mimouni's writing draws its quintessence in the context of an experience of heavy trauma, reflected in signs of memories. These stem not only from colonialism, but also and above all from post-colonialism. | ar_AR |
dc.language.iso | en | ar_AR |
dc.publisher | مجلة لغات ، تحليل الخطاب، والتداخل لكلية اللغات الأجنبية جامعة الجزائر 2 أبو القاسم سعد الله | ar_AR |
dc.relation.ispartofseries | Vol.7;N°2 | |
dc.rights | Attribution-NonCommercial-NoDerivs 3.0 United States | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/us/ | * |
dc.subject | Trauma | ar_AR |
dc.subject | novel | ar_AR |
dc.subject | représentation | ar_AR |
dc.subject | literature | ar_AR |
dc.subject | Rachid Mimouni | ar_AR |
dc.title | The Double Trauma In La Malédiction By Rachid Mimouni | ar_AR |
dc.type | Article | ar_AR |
The following license files are associated with this item: