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dc.contributor.author Boutouchent Sidi Said, Fadhila
dc.date.accessioned 2024-05-27T20:26:42Z
dc.date.available 2024-05-27T20:26:42Z
dc.date.issued 2020-06-30
dc.identifier.issn 1112-7279
dc.identifier.issn E 2676-1556
dc.identifier.uri http://ddeposit.univ-alger2.dz:8080/xmlui/handle/20.500.12387/6395
dc.description.abstract The comparative study of Walt Whitman (1819-1902) and Si Mohand Ou M’hand (1845-1902) is significant for several reasons. Firstly, Whitman applies a new form of poetry in American literature that is free verse poetry without affixed beat or regular rhyme scheme. It is as if Whitman speaks to the reader. Si Mohand’s poetry is known as ‘Asfrou’, an oral poetry based on personal inspiration. Both are the ones to whom we listen to. Moreover, the quest for liberty by both poets can be seen as a universal analogy where the right to be ‘free’ is a natural human attitude. So, the Kabyle bard, as Si Ammar Ben Said Boulifa calls him: “Si Mohand Ou M’hand, le barde populaire de la Grande Kabylie” (1990:45) can only be compared to the American bard, Walt Whitman . ar_AR
dc.language.iso en ar_AR
dc.publisher Faculté des Langues Etrangères. Université d'Alger 2 Abu al-Qasim Saadallah ar_AR
dc.relation.ispartofseries Lettres et Langues. Al Adab Wa Llughat;Vol. 15, Nr. 1
dc.rights Attribution-NonCommercial-NoDerivs 3.0 United States *
dc.rights.uri http://creativecommons.org/licenses/by-nc-nd/3.0/us/ *
dc.subject Free verse poetry ar_AR
dc.subject Oral poetry ar_AR
dc.subject Kabyle bard ar_AR
dc.subject Asfrou ar_AR
dc.subject Walt Whitman ar_AR
dc.subject Si Mohand Ou M’hand ar_AR
dc.title Walt Whitman And Si Mohand Ou M’hand ar_AR
dc.title.alternative Free-folk Voices ar_AR
dc.type Article ar_AR


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