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dc.contributor.author Bouregbi, Salah
dc.date.accessioned 2024-06-06T17:13:10Z
dc.date.available 2024-06-06T17:13:10Z
dc.date.issued 2013-12-01
dc.identifier.issn 1112-7279
dc.identifier.issn E 2676-1556
dc.identifier.uri http://ddeposit.univ-alger2.dz:8080/xmlui/handle/20.500.12387/6727
dc.description.abstract Katherine Mansfield is usually known as a short story writer and she is considered, along with Guy De Maupassant, Anton Chekhov and Edgar Allan Poe, as the major contributors of short prose writing.But, paradoxically, Mansfield is rarely known as a versifier and a poetess, though her short stories hold some poetical insights, as in “At the Bay,” and “Prelude.” This paper, thus, is a modest contribution in Katherine Mansfield's heritage of writing poetry. My study will focus on her lonely book, Poems, and splinters of verses scattered here and there in her journals, letters and diaries. My research tries to get deep within her poetic production in order to find out what she uses as techniques, chooses as themes and adopts as vision. ar_AR
dc.language.iso en ar_AR
dc.publisher Faculté des Langues Etrangères. Université d'Alger 2 Abu al-Qasim Saadallah ar_AR
dc.relation.ispartofseries Lettres et Langues. Al Adab Wa Llughat;Vol. 8, Nr. 2
dc.rights Attribution-NonCommercial-NoDerivs 3.0 United States *
dc.rights.uri http://creativecommons.org/licenses/by-nc-nd/3.0/us/ *
dc.subject Katherine Mansfield : Poems ar_AR
dc.subject Artistic Representation ar_AR
dc.title Self Revelation Versus Artistic Representation In Katherine Mansfield's Poems ar_AR
dc.type Article ar_AR


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