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dc.contributor.author Benbouzid, Fadila
dc.date.accessioned 2024-06-06T20:20:10Z
dc.date.available 2024-06-06T20:20:10Z
dc.date.issued 2012-06-30
dc.identifier.issn 1112-7279
dc.identifier.issn E 2676-1556
dc.identifier.uri http://ddeposit.univ-alger2.dz:8080/xmlui/handle/20.500.12387/6743
dc.description.abstract My paper aims at showing the impact of history on the life of the African American community which, despite the white man’s attempts to “wipe it out” survives in the minds and memories of these people. In addition, the paper focuses on how this “historical” heritage is presented and expressed in the literature of the African American community in the mid 1970’s. In Song of Solomon for instance, history is given a mythical dimension that transcends the hands of time and place to remain one of the most important imports of “cultural and individual” identity. In the novel, the writer attempts to get rid of the “reductionist” stereotypes which are attached to both black male and female characters in the dawn of a new African American culture revived from the wounds of the past and clearly fed with the spirit of reconciliation between its members. ar_AR
dc.language.iso en ar_AR
dc.publisher Faculté des Langues Etrangères. Université d'Alger 2 Abu al-Qasim Saadallah ar_AR
dc.relation.ispartofseries Lettres et Langues. Al Adab Wa Llughat;Vol. 7, Nr. 1
dc.rights Attribution-NonCommercial-NoDerivs 3.0 United States *
dc.rights.uri http://creativecommons.org/licenses/by-nc-nd/3.0/us/ *
dc.subject impact ar_AR
dc.subject History ar_AR
dc.subject Culture ar_AR
dc.subject Literature ar_AR
dc.subject In Song of Solomon ar_AR
dc.title History And Culture In Toni Morrison’s Song Of Solomon ar_AR
dc.type Article ar_AR


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