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LETTRES et LANGUES

Permanent URI for this collectionhttp://ddeposit.univ-alger2.dz/handle/20.500.12387/2419

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Author: search.filters.author.Azzoug, FatimaStart date: 2020

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    Tayeb Salih’s Season Of Migration To The North
    (Faculté des Langues Etrangères. Université d'Alger 2 Abu Al-Qasim Saadallah, 2023-06-30) Azzoug, Fatima
    Tayeb Salih’s Season of Migration to the North constitutes a masterpiece of Arabic modern fiction.It revolves around many themes such as British-Sudanese interculturality, Sudanese women’s status in postcolonial Sudan. Interculutrality is seen by many critics as a thematic landmark of this novel.However, this paper argues that Tayeb Salih juxtaposes the past with the present and makes of interculturality a secondary theme in the postcolonial period in order to pinpoint the necessity to come to terms with the past colonial fractures due to the British colonization of the Sudan. Such a message is composed via a peculiar Mustafa Sa’eed Narrator frame which favors the narrator’s centrality over Mutafa Sa’eed’s simply because the postcolonial generation needs to go beyond the violence inherited from the colonial era.Tayeb Salih’s message in this paper is uncovered by the recourse to Gérard Genette’s and Jahn Manfred’s narrative theories.
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    Interfigural And Intertextual Relationships Between Tayebsalih’s Season Of Migration Tothe North And William Shakespeare’s Othello
    (Faculté des Langues Etrangères. Université d'Alger 2 Abu Al-Qasim Saadallah, 2023-12-23) Azzoug, Fatima
    Tayeb Salih‟s character, Mustafa Sa‟eed refers to Shakespeare‟s Othello saying „I am Othello‟. „Like Othello‟, „I am not Othello‟. This declaration to look like and differ from Othello creates a literary interfigural and intertextual link between Mustafa Sa‟eed and Othello. This link indeed goes further to include Hasna, Mustafa Sa‟eed‟s widow and Desdemona, Othello‟ white wife. Thus, this article will highlight the interfigural and intertextual relationship between TayebSalih‟s and William Shakespeare‟s characters to defend the idea that such a literary relationship implies the persistence in the twentieth century of the institution of Otherness that oppresses the Black, the African and the woman who find ease only in death.