الرسائل والأطروحات الأكاديمية
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يسمح هذه المجموعة الأعمال الأكاديمية بالحفاظ والأرشفة واسترجاع والوصول الى كل الرسائل الجامعية وأطروحات الدكتوراه المجازة في جامعة الجزائر 2 ؛ وتشمل كل تخصصات الجامعة الحالية والمستقبلية
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Item Estudio y comparación de la novela El coronel no tiene quien le escriba y su adaptación cinematográfi ca.(Cifra Nueva, 2022-04) Boussaf, NawalEn el presente artículo se analizará la adaptación para cine de la novela El coronel no tiene quien le escriba, escrita por el eminente autor colombiano, Gabriel García Márquez y llevada a la pantalla por el cineasta mexicano Arturo Ripstein. Indagando en las diferencias y semejanzas entre ambos textos, literario y fílmico, se establecerá cómo funciona la transformación de una novela a una película, cómo un texto que utiliza el lenguaje escrito puede ser presentado en otro que utiliza el lenguaje audiovisual. This article will analyze the fi lm adaptation of the novel The colonel has no one to write to him, written by the eminent Colombian author, Gabriel García Márquez and brought to the screen by the Mexican fi lmmaker Arturo Ripstein. Investigating the differences and similarities between both texts, literary and fi lm, will establish how the transformation of a novel to a fi lm works, how a text that uses written language can be presented in another that uses audiovisual language.Item Cifra Nueva(university algiers 2 جامعة الجزائر ابو القاسم سعد الله, 2021-07-18) boussafi, nawalThis article will analyze the fi lm adaptation of the novel The colonel has no one to write to him, written by the eminent Colombian author, Gabriel García Márquez and brought to the screen by the Mexican fi lmmaker Arturo Ripstein. Investigating the differences and similarities between both texts, literary and fi lm, will establish how the transformation of a novel to a fi lm works, how a text that uses written language can be presented in another that uses audiovisual languageItem ADAPTING THE DICKENSIAN CAROL: Filmic Realism in Film Adaptation(University of Algiers 2 Abou El Kacem Saadallah, 2020) YOUSFI, Zakia; MANSOURI, Brahim (Directeur de thèse)Literature and cinema have always been an integral part of culture. Both art forms are interrelated through an unbreakable bound that joins shared origins, means, and purposes. Art begets art which explains how literature, theatre and photography beget the cinematic medium. Adaptation studies is a discipline that explores the literary cinematic connection. The Victorian English novelist Charles Dickens offered the literary sphere a highly optical fiction that triggers picturing. This dissertation examines the cinematic qualities in Dickens’s most adapted text A Christmas Carol. The Dickensian Carol has appealed to all performing art forms, particularly cinema. The chapters in this work develop logically to introduce film adaptation and the art of the films in relation to literature, and investigate the cinematic features of Charles Dickens’s A Christmas Carol and its cultural and historical significance