الرسائل والأطروحات الأكاديمية
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يسمح هذه المجموعة الأعمال الأكاديمية بالحفاظ والأرشفة واسترجاع والوصول الى كل الرسائل الجامعية وأطروحات الدكتوراه المجازة في جامعة الجزائر 2 ؛ وتشمل كل تخصصات الجامعة الحالية والمستقبلية
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Item Tradition and the Individual Talent in T.S. Eliot’s and Wallace Stevens’ Poetry(2017) Benmezal, Farid; Amrane, Nadjia (Directeur de thèse)This thesis is a comparative study of two American poets, T.S. Eliot and Wallace Stevens, whose poetry exemplifies the two major opposing trends in American Modernism. My aim is to examine the different ways in which the two poets respond to the solipsism of Romantic poetry. Eliot turns to the historical past of Europe to find a cultural transcendental ego to suppress the individual ego of Romanticism. Against the Romantic solipsism and Eliot’s appeals to tradition, distant and abstract from the contemporary conditions of modern America, Stevens seeks a poetics that focuses on immediate conditions of American experience to forge a literary tradition more fully responsive to the cultural and material impulses of the new worldItem AFRICAN WOMEN’S QUEST FOR SELF-REALIZATION BETWEEN TRADITION AND MODERNITY IN(University of Algiers. Faculty of Letters and Languages, 2009) Saïl, Amina; Aït Hammou, Louisa (Directeur de thèse)Whether or not Buchi Emecheta’s novels hold an articulate feminist ideology has been subject to hot debates among critics. Some views seem to find in Emecheta’s representation of the female experience an attack on the traditional patriarchal values of her society, and hence a call for a complete break with traditions. Others find that traditional African women enjoyed some degree of freedom and autonomy that were undermined by their contact with the West after the colonization of their countries. Therefore, according to them, the motif of her novels is to denounce the colonial oppression of traditional women. The purpose of this dissertation is to evaluate of the female experience in Emecheta’s novels, The Slave Girl and The Joys of Motherhood in an attempt to understand the implications of both patriarchy and colonialism in the shaping of the Nigerian feminine self. It is a study of the representation of the Nigerian woman’s identity as female, black, colonized, and African in order to explain how race and gender were woven together as determinant factors that affected the female experience during the colonial period. Our aim is to explore Buchi Emecheta’s construction of womanhood in terms of the Self/Other concept which was developed by existentialist philosophers such as Jean-Paul Sartre and given a feminist dimension by Simone de Beauvoir. This concept will equally inform our study of the colonizer/colonized relation in order the explain the situation of Nigerian women under British rule.