الأطروحات الدكتوراه
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Item الاستعارة والرمز عند بول ريكور في تجربة البحث عن المعنى واسترجاع الذات(جامعة الجزائر2 أبو القاسم سعد الله Algiers2 University Abu El Kacem Saad Allah, 2025) جعطيط, سعيد; Djatit, Said; سعدي, نادية(مدير البحث)تعالج الرسالة شكالية مفادها ؛ كيف يمكن استرجاع الاستعارة والرمز ككيانين دلاليين من المنفى وإعادة بعثهما في مركز الفكر الفلسفي من وجهة نظر بول ريكور؟. يلح بول ريكور على أنّ الاستعارة تتأسس من كلمة واحدة، لكنها مع ذلك، تنشأ من تفاعل فكرتين، وهي تميل إلى أن تصبح معتادة، والوصول إلى المعنى الحقيقي للعبارة المجازية مرهون بالانتقال من الاسناد الحرفي الظاهر إلى الاسناد الاستعاري المضمر، فالمعنى الاستعاري ينبثق كنتيجة فريدة لفعل سياقي محدد. لذلك من الضروري الاحتفاظ بجميع المعاني المسموح بها جنبا إلى جنب مع المعنى المرجّح من طرف القارئ ولكي نحرر أنفسنا من سجن المفهوم الوضعي للحقيقة لابد لنا من توسيع مفهومنا عن العالم يشير "ريكور إلى سعة وتنوع المجالات التي تشتغل ضمنها الرمزية، وأكد على الضرورة المنهجية والابستيمولوجية لتعداد هذه المناطق ودراستها من أجل الوصول إلى هيرمينوطيقا عامة للرموز. The thesis addresses the problematic question: How can metaphor and symbol, as two semantic entities, be recovered from exile and re-established at the center of philosophical thought, from Paul Ricoeur's perspective? Paul Ricoeur insists that metaphor is founded on a single word, yet it arises from the interaction of two ideas. It tends to become habitual, and arriving at the true meaning of a metaphorical phrase is contingent upon moving from the apparent literal attribution to the implicit metaphorical attribution. Metaphorical meaning emerges as a unique result of a specific contextual action. Therefore, it is necessary to preserve all permissible meanings, along with the reader's preferred meaning. To free ourselves from the prison of the positivist conception of truth, we must expand our understanding of the world.Item Self and Other in the Works of African American Novelists during the Black Renaissance and Algerian Novelists during the Algerian War of Independence(University of algiers2 Abu El Kacem Saad Allah جامعة الجزائر 2 أبو القاسم سعد الله, 2015) KACED, ASSIA; Deramchia, Yamina (Directeur de thèse)Through the present research work, we aim at confronting four contemporary post-colonial writers, who are, Jean Toomer and Zora Neale Hurston from the United States of America, and Kateb Yacine and Assia Djebar from Algeria with notions of representation, identity, and culture. While Jean Toomer and Zora Neale Hurston wrote their novels at the time when the African American people suffered from political, economic and cultural inequities between the white and the black people in America, Toomer’s Cane in 1922 and Hurston’s Their Eyes Were Watching God in 1937 ; both Kateb Yacine and Assia Djebar wrote their novels during the period of Algerian colonization, Nedjma in 1955, and Les enfants du nouveau monde In fact, this thesis operates on the principle that there are recurrent, common parameters existing within the two peoples, Africa American and Algerian, and which stem from shared historical, political and cultural referents, those of peoples deprived of their identities and self-esteem by colonizing and oppressing powers. The writers we explore in the present work bridge racial, cultural, and linguistic divides in facing the same prejudices and stereotypes that have ‘Othered’ them. They adopt the same methods in reconstructing the Self that has been negated by the colonizing Other. In both cases, the people oppressed by a superior power are depicted in stereotypical terms, their culture belittled, and their identity blurred. in 1962. Through the present research work, we aim at analyzing the thematic correspondences between the two pairs of writes, particularly in the way they conceive of ‘Self’ and ‘Other’