الدوريات والمجلات الأكاديمية
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Item Voyage in Subaltern Voices: Kwasi Wiredu and his Idea of Conceptual Decolonization: Propositions and Perspectives(Afkar wa Affak, 2026-06-02) Azzoug, FatimaAbstract: Despite advances in postcolonial theory, some names and concepts remain underexplored. The example that this article targets is Kwasi Wiredu and his idea of conceptual decolonization. On the basis of postcolonial and interdisciplinary frameworks, this article focuses on Said’s notion of voyage in that leads to the immersion of the mind in dominant discourses of power and to the dissection of its ties and hidden meanings. This endeavour, undertaken not only by Said, Spivak, and Bhabha but also by Wiredu, justifies Wiredu’s eligibility for a referential rank in critical postcolonial theory. Furthermore, it links Wiredu’s conceptual decolonization with Ngugi’s rejection of the English language in African writing and with Achebe’s hybridization of languages. The key outcome revolves around Wiredu’s entitlement to a valuable place in the critical postcolonial theory and alongside names like Said, Spivak, Bhabha, Ngugi and Achebe. The major implication is that integrating Wiredu enriches the critical postcolonial theory with more rigor and depth. ملخص: رغم التطورات المميزة في النظرية ما بعد الكولونيالية، إلا أن بعض الأسماء والافكار تظل مهمشة. والمثال الذي يستهدفه هذا البحث هو كواسي ويرودو وفكرته عن التحرر ما بعد الاستعمار المفاهيمي. وعلى أساس نهج ما بعد الكولونيالية وتداخل التخصصات، يركز هذا البحث على فكرة السفر المتبناة من طرف إدوارد سعيد، والتي تسمح للعقل بالتوغل في الخطابات المهيمنة للسلطة وتفكيك روابطها ومعانيها المخفية. وهذا الجهد المبذول ليس فقط من طرف سعيد وسبيفاك وبحابحا، بل أيضا من طرف ويرودو، يبررأهلية ويرودو لاحتلال مكانة مرجعية في النظرية ما بعد الكولونيالية. إضافة إلى ذلك، يربط هذا البحث بين التحرر ما بعد الاستعمار المفاهيمي عند كواسي ويرودو مع رفض نقوقي للغة الانجليزية في الكتابة الإفريقية، وتهجين اللغات عند أتشيبي. وتدور الحصيلة الرئيسية حول أحقية كواسي ويرودو في احتلال مكانة مهمة في النظرية ما بعد الكولونيالية جنبًا الى جنب مع أسماء مثل سعيد، سبيفاك،بهابها،نقوقي وأتشيبي. ويتمثل الأثر الرئيسي لإدماج كواسي ويرودو هو إثراء النظرية ما بعد الكولونيالية بعمق ودقة أكثر.Item Tayeb Salih’s Season Of Migration To The North(Faculté des Langues Etrangères. Université d'Alger 2 Abu Al-Qasim Saadallah, 2023-06-30) Azzoug, FatimaTayeb Salih’s Season of Migration to the North constitutes a masterpiece of Arabic modern fiction.It revolves around many themes such as British-Sudanese interculturality, Sudanese women’s status in postcolonial Sudan. Interculutrality is seen by many critics as a thematic landmark of this novel.However, this paper argues that Tayeb Salih juxtaposes the past with the present and makes of interculturality a secondary theme in the postcolonial period in order to pinpoint the necessity to come to terms with the past colonial fractures due to the British colonization of the Sudan. Such a message is composed via a peculiar Mustafa Sa’eed Narrator frame which favors the narrator’s centrality over Mutafa Sa’eed’s simply because the postcolonial generation needs to go beyond the violence inherited from the colonial era.Tayeb Salih’s message in this paper is uncovered by the recourse to Gérard Genette’s and Jahn Manfred’s narrative theories.Item Interfigural And Intertextual Relationships Between Tayebsalih’s Season Of Migration Tothe North And William Shakespeare’s Othello(Faculté des Langues Etrangères. Université d'Alger 2 Abu Al-Qasim Saadallah, 2023-12-23) Azzoug, FatimaTayeb Salih‟s character, Mustafa Sa‟eed refers to Shakespeare‟s Othello saying „I am Othello‟. „Like Othello‟, „I am not Othello‟. This declaration to look like and differ from Othello creates a literary interfigural and intertextual link between Mustafa Sa‟eed and Othello. This link indeed goes further to include Hasna, Mustafa Sa‟eed‟s widow and Desdemona, Othello‟ white wife. Thus, this article will highlight the interfigural and intertextual relationship between TayebSalih‟s and William Shakespeare‟s characters to defend the idea that such a literary relationship implies the persistence in the twentieth century of the institution of Otherness that oppresses the Black, the African and the woman who find ease only in death.