Minimalist Style and Ambivalent Spirituality in Cormac McCarthy’s Later Texts: An Implied Reader’s Perspective
| dc.contributor.author | Houamdi, Djamel | |
| dc.contributor.author | Ait Ammour, Houria (Directeur de thèse) | |
| dc.date.accessioned | 2022-05-12T09:56:38Z | |
| dc.date.available | 2022-05-12T09:56:38Z | |
| dc.date.issued | 2020 | |
| dc.description | Bibliographie : p.242-260 | ar_AR |
| dc.description.abstract | The present reader-oriented study deals with the later texts of Cormac McCarthy. In particular, No Country for Old Men, The Road and The Sunset Limited share a remarkable leaning towards minimalist style and ambivalent spirituality which, in turn, | ar_AR |
| dc.identifier.uri | http://ddeposit.univ-alger2.dz/handle/20.500.12387/2001 | |
| dc.language.iso | other | ar_AR |
| dc.publisher | University of Algiers 2 Abou El Kacem Saadallah | ar_AR |
| dc.subject | Minimalist Style | ar_AR |
| dc.subject | Existential Dramatic Novel | ar_AR |
| dc.subject | Minimalism | ar_AR |
| dc.title | Minimalist Style and Ambivalent Spirituality in Cormac McCarthy’s Later Texts: An Implied Reader’s Perspective | ar_AR |
| dc.type | Thesis | ar_AR |