الرسائل والأطروحات الأكاديمية
Permanent URI for this communityhttp://ddeposit.univ-alger2.dz/handle/20.500.12387/1845
يسمح هذه المجموعة الأعمال الأكاديمية بالحفاظ والأرشفة واسترجاع والوصول الى كل الرسائل الجامعية وأطروحات الدكتوراه المجازة في جامعة الجزائر 2 ؛ وتشمل كل تخصصات الجامعة الحالية والمستقبلية
Browse
2 results
Search Results
Item MULTICULTURALISM IN BRITAIN A MYTH OR A REALITY:(جامعة الجزائر 02 أبو القاسم سعد الله University of Algiers 2 Abou El Kacem Saadallah, 2021) DERRAGUI, Hiba Khedidja; MANSOURI, Brahim (Directeur de thèse)Multiculturalism is and has always been a highly contested issue. In fact, the end of the previous century saw the remarkable rise of multiculturalism as a political philosophy, and the growing popularity of multicultural policies in many democratic countries. However, since the turn of the millennium multiculturalism has become a subject of intense political and public debate in Western Europe and particularly in Britain. This thesis explores key questions related to multiculturalism namely race, racism and belonging while critically assessing multiculturalism from the standpoint of political philosophy and political practice. The ideas of prominent defenders and critics of multiculturalism are evaluated, and debates around multiculturalism and subsequent debates over immigration, cultural rights and Britishness are exploredItem ADAPTING THE DICKENSIAN CAROL: Filmic Realism in Film Adaptation(University of Algiers 2 Abou El Kacem Saadallah, 2020) YOUSFI, Zakia; MANSOURI, Brahim (Directeur de thèse)Literature and cinema have always been an integral part of culture. Both art forms are interrelated through an unbreakable bound that joins shared origins, means, and purposes. Art begets art which explains how literature, theatre and photography beget the cinematic medium. Adaptation studies is a discipline that explores the literary cinematic connection. The Victorian English novelist Charles Dickens offered the literary sphere a highly optical fiction that triggers picturing. This dissertation examines the cinematic qualities in Dickens’s most adapted text A Christmas Carol. The Dickensian Carol has appealed to all performing art forms, particularly cinema. The chapters in this work develop logically to introduce film adaptation and the art of the films in relation to literature, and investigate the cinematic features of Charles Dickens’s A Christmas Carol and its cultural and historical significance