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الدوريات والمجلات الأكاديمية

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    أبعاد الرؤية في الكتابة الروائية عند محمد مفالح " " ُ رواية س " " فاية الموسم أو الدروب المتقاطعة مدونة تطبيقية
    (مجلة اللغة وا؟لدب كلية اللغة العربية وآدابها جامعة الجزائر 2, 2023-08-11) عروس, محمد
    ملخص تهدف هذه الدراسة إلى الكشف عن أبعاد الكتابة الروائية عند الروائي الجزائري "محمد مفلاح"، وذلك بالتعرف على علاقة النص الروائي بالواقع الثقافي، والاجتماعي، والسياسي الذي يتأسس عليه النص، ويحاول تصوير ما يحدث فيه من صراع على شتى المستويات النفسية، والفكرية. مما يعطي النص الروائي قيمة فنية على مستوى البناء، وأبعادا حضارية على مستوى الرؤية والمضمون. حضارية على مستوى الرؤية والمضمون. Résumé Cette étude vise à découvrir les dimensions de l'écriture romancière du romancier algérien "Mohammed Mefallah" en identifiant la relation entre le texte narratif et la réalité culturelle, sociale et politique sur laquelle le texte est basé, et tente de dépeindre le conflit à différents niveaux psychologiques et intellectuels. Ce qui donne au texte narratif une valeur technique au niveau de la construction, et des dimensions culturelles au niveau de la vision et du contenu. Abstract This study aims at uncovering the dimensions of the novelist writing by the Algerian novelist "Mohammed Mefallah" by identifying the relation between the narrative text and the cultural, social, and political reality on which the text is based, and attempts to portray the conflict in different psychological and intellectual levels. Which gives the narrative text a technical value at the level of construction, and cultural dimensions at the level of vision and content.
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    Once Upon A Time Women And Weapons: Ideology Dynamics Behind Armed Heroines In The Fairy-tale Films Snow White And The Huntsman And Hansel & Gretel
    (Faculté des Langues Etrangères. Université d'Alger 2 Abu Al-Qasim Saadallah, 2022-09-16) Mouchène, Samia
    This paper draws attention to a twenty-first-century Hollywood tendency of weaponizing the fairy-tale female characters and involving them in armed and deadly but “just” conflicts. It evaluates the ideological implications of this trend, in both their patriarchal and capitalist dimensions. The films Snow White and the Huntsman (2012) and Hansel & Gretel: Witch Hunters (2013) serve as samples of a larger bulk of recent fairy-tale cinematic adaptations that put forwards the unorthodox association of fairy-tale heroines and weapons. The cinema industry claims to offer new, “feminist-friendly” representations away from the stereotypes in the fairy tales and the “damsels-in-distress” of the Disney Studios’ adaptations. Putting this claim aside, the positions of the films within or against the dominant ideology backgrounds of patriarchy and capitalism are the centre of this study, which is thus theoretically framed within feminist (Laura Mulvey’s) and Marxist (Louis Althusser’s) thoughts. The suggestion of female empowerment through handling weapons and immersion in violence is here evaluated in its efficacy. It is argued that complacency to the male gaze expectations and patriarchy persists, but also that the association of fairy-tale heroines and weapons creates an inharmonious hybridization of femininity and some masculinity aspects. It is reasoned that the combination of fairy-tale heroines and weapons serves another facet of dominant ideology that is capitalism by promoting gun use among the rather pro-gun-control women. Overall, the research details one example of the mechanics through which dominant ideology maintains itself by subtly countering oppositional thoughts.