الدوريات والمجلات الأكاديمية
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Item The Contribution Of Al-aṣāla Review To Andalusian Memory (1971-1981) La Contribución De La Revista Al-aṣāla A La Memoria Andalusí (1971-1981)(des archives - Actualités des archives - Faculté des sciences humaines, Université Al-Jair, 2 Abou Al-Qasim Saad Allah, 2025-01-01) Dahmoun LakhdarRésumé The main purpose of this article is to analyze the specific role played by the review Al-Aṣāla "Authenticity" in disseminating historical information about the Andalusian topic. Using a methodology based on documentary analysis that includes primary sources, such as the various issues of the review, and other secondary sources, as well as statistical and analytical methods, this study aims to shed light on the space the review dedicates to the topic of al-Andalus. First, as a historical period that encompasses eight centuries of Islamic presence, and second, in its continuation in Islamic territories, including the Central Maghreb (Algeria), where it becomes part of the culture and identity of the host territories. El presente artículo tiene como propósito principal analizar el papel específico desempeñado por la revista Al-Aṣāla “La autenticidad” en la difusión de la información histórica sobre el tema andalusí. Utilizando una metodología basada en el análisis documental que incluye fuentes primarias, que son los distintos números de la revista, y otras fuentes secundarias, así como el método estadístico y analítico, este estudio busca arrojar luz sobre el espacio que la revista dedica al tema de al Ándalus, primero como época histórica que comprende ocho siglos de presencia islámica, y segundo a su prolongación en los territorios islámicos, inclusive el Magreb Central (Argelia), donde pasa a formar parte de la cultura y la identidad de los territorios de acogida.Item LE DISCOURS PUBLICITAIRE TÉLÉVISUEL ALGERIEN COMME BERCEAU, RELAIS ET CATALYSEUR DES REPRÉSENTATIONS SOCIÉTALES(المجلة الجزائرية لعلوم اللسان -مخبر اللسانيات وعلم الاجتماع اللغوي وتعليمية اللغات-كلية الغة العربية وآدابها واللغات الشرقية جامعة الجزائر -2-, 2017-11-27) BESTANDJI, NabilaLe XXI siècle a vu le pouvoir des médias décupler, ces derniers se sont transformés en véritables fabriques de sens et de diffuseurs de représentations. Le discours employé en son sein cultive la logique du faire simple et du vraisemblable. A cet effet, il enrôle un ensemble de représentations familières et potentiellement déchiffrables par le consommateur / énonciataire, employées au service d’une information se devant être impérativement accessible par le grand public. Ces représentations, souvent stéréotypées, apparaissent comme de véritables stratégies pour faire adhérer l’autre aux discours produits. Ces derniers se retrouvent, donc, chargés de repères culturels, religieux, idéologiques, sociétaux qui apparaissent comme un panel d’images distillées dans les énoncés, sorte de maillons incontournables mis au service du tissage global du sens et de l’identité. C’est cette toile complexe que l’on va essayer de démêler à travers l’étude de 104 publicités algériennes. The XXI century saw the power of the media multiply tenfold, the latter transformed into real fabrics of meaning and disseminators of representations. The discourse employed in it cultivates the logic of the simple and the plausible. To this end, it enrolls a set of representations familiar and potentially decipherable by the consumer / enunciator, employed in the service of information which must be imperatively accessible by the general public. These representations, often stereotyped, appear as real strategies to make the other adhere to the discourses produced. The latter find themselves, therefore, entrusted with cultural, religious, ideological and societal landmarks, which appear as a panel of distilled images in the utterances, a sort of unavoidable link put at the service of the global weaving of meaning and identity. It is this complex web that we will try to unravel through the study of 104 Algerian advertisementsItem Jean Toomer’s “cane” Or The Search For Racial Identity(Faculté des Langues Etrangères. Université d'Alger 2 Abu al-Qasim Saadallah, 2017-06-01) Kaced, AssiaJim Crow and the continuing supremacist policies that characterized America of the 1920’s considered black people as savages, and placed them, accordingly, at the bottom of the social scale, next to apes. White writers of the era, influenced by the segregationist policies adopted by White America, placed African Americanson the periphery in their literary works. Consequently, the African American writers felt a great need to deconstruct the negative images of their people as drawn by their white counterparts, and try, instead, to make a more authentic representation of their people. In the present article, we will analyze the way Jean Toomer has interrogated, in his novel Cane (1922), the myth upon which racism and the subjugation of black people in America was built. We will also see how the African American writer has reconstructed history from an African American point of view. ملخص جيم كرو واستمرار سياسات التفوق التي ميزت أمريكا من عام 1920 يعتبر السود ﻜﺷﻌﺐ همج، ووضع، وفقا لذلك، في أسفل السلم الاجتماعي، إلى جانب القرود. الكُتاب البِيض ﻠﺘﻠﻚ ﺍﻟﻓﺘﺮﺓ ﺍﻠﻤﺘأﺛﺮﻴﻦ ﺑسياسات التفرقة العنصرية المعتمدة من قبل البيض، أﻈﻬﺮﻮﺍ الأميركيين الأفارقة، في مصنفاتهم الأدبية، على الهامش. وبناء على ذلك، رأى الكُتاب الأﻣﺮﻜﻴﻮﻦ من أصول أفريقية حاجة كبيرة لتفكيك الصور السلبية لشعوبها كما رسمها نظرائهم البيض، وﺤﺍﻭﻠﻮﺍ، بدلا من ذلك، جعل التمثيل أكثر واقعية ﻠشعوﺒﻬﻡ. في هذا النص، سنقوم بتحليل الطريقة التي ﺍﻋﺘﻣﺪﮬﺍ جان تومر Jean Toomer، في روايته "قصب" (1922)، لتفكيك الأسطورة التي قامت عليه العنصرية واستعباد السود في أمريكا. سوف نرى أيضا كيف أن الكاتب الأمريكي من أصل أفريقي قد أﻋﺍﺪ بناﺀ التاريخ من وجهة النظر الأميركية الأفريقية.Item A Discourse Analysis Of James Joyce’s Construction Of Identity In Dubliners And A Portrait Of The Artist As A Young Man(Faculté des Langues Etrangères. Université d'Alger 2 Abu al-Qasim Saadallah, 2020-06-30) Ferhi, SamirThe present paper attempts to acknowledge and dig out the largely unexplored late Victorian and Edwardian ethos of subjectivity in James Joyce’s Dubliners (1914) and A Portrait of the Artist as a Young Man (1916) and to show that Joyce himself, like much of his characters was bound by the ideologies of his age namely nationalism, Catholicism as well as gender conditions. In other words, this short analysis aims to show that Joyce’s collection of short stories and his novel not only give the surfaces of daily life in turn of the century Dublin, but they also expose the discursive and cultural contexts, ideologies, religiosity and gender forces that colonized Irish modern subjectivity.